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Iona
Rozeal Brown Articles
“Access Atlanta,” Access Atlanta, March 18, 2004,
p.31 (illus.)
Auslander, Philip. “Mixing the Colors,” Art Papers,
May/June 2004 (illus)
Bamberg, Matt. “Armand Hammer Museum has Thought-Provoking
Work,” The Desert Sun, Feb. 2, 2003
Beith, Malcolm. “It’s a Hip-Hop World: How a Movement
Shaped and
Absorbed
Global Culture,” Newsweek International, Nov. 1, 2003
BB 25 Artists Create Fashion Images, BlackBookMagazine, Fall 2004, pp.140-141
“
Breakfast with the Arts,” A & E Television Network, Spring 2004
Cascade, Rebecca. “Culture Shock,” Elle Magazine, Oct. 2004 (illus.)
Chambliss, Jamie Vacca. “Our Town: Modern Culture, Artful Place,” Atlanta,
Feb. 2004, p.38
Dailey, Meghan, “Black Belt”, Artforum, September 2003, (illus.)
Dawson, Jessica. “African-American Art, Forward and Backward,”
Washington Post, Nov. 27, 2003, p. C05
Dixon, Glenn. “Stand Up and be Counted,” artnet, September 2003
Editor. Conversations Explore State of Art in Society,” Spelman Connection,
Feb. 23, 2004
Feaster, Felicia. “Sayonara Sucka!,” Creative Loafing, Atlanta,
Feb. 5, 2004 (illus.)
Finch, Charlie. “Brown is Beautiful,” artnet, January 2004 (illus.)
Fox, Catherine. “Cross-Cultural Take on Hip-Hop World,” Atlanta Journal &
Constitution, Feb. 12, 2004
Frank, Peter. “Paperchase, “ Art on Paper, April, 2003, pp. 36-39
(illus.)
Genocchio, Benjamin. “For Japanese Girls, Black is Beautiful: Painting
Hip-Hop
as it Goes Geisha,” The New York Times, Arts & Leisure, April 4, 2003,
pp.1, 36 (illus.)
Godfrey, Sarah. “I’m Gonna Git You Osaka,” Washington City
Paper,
Aug. 13, 2004
Gopnik, Blake. “Art and Race, Making a Memorable Appearance,”
The Washington Post - Arts Section, April 6, 2003 (illus.)
“
Highlights: iona rozeal brown,” Contemporary, No. 62, 2004, pp.16-17
Hill, Joe. “OnLine,” Contemporary # 66, p. 73-74
“
iona rozeal brown Blends Japanese into Black Culture,” Atlanta Daily World,
Feb 19, 2004, cover, p.13 (illus.)
“
iona rozeal brown: self-portrait,” Tema Celeste, January 2003, issue 95,
pp. 76-77 (illus.)
Jones, Rose Apodaca. “Gangsta Geisha,” Women’s Wear Daily,
Sept. 16, 2002,
Vol. 184, No.55 (Illus.)
Kenny, Bryn. “People, Places & Lipsticks,” Women’s Wear
Daily, Sept. 2004
(illus.)
Knight, Christopher. “Richly Drawn from Drawings,” Los Angeles Times,
March 9, 2003 (illus.)
Mathis, Sommer. “Paper Trail,” The Daily Bruin, Jan. 31, 2003
Pollack, Barbara. “OnLine,” ARTnews, Sept. 2003, p.135
Secret, Mosi. “Africana Reviews Blackbelt”, Africana.com, November
2003, (illus)BIBLIOGRAPHY, con’t.
Shye, Gloria. “Museum of Fine Art Hosts Reopning for iona rozeal brown,” The
Spelman Spotlight, pp. 5, 9
Sirmans, Franklin. “Mass Appeal: The Art Object and Hip Hop Culture,”
catalogue, Gallery 101, Ottawa, Canada, August 2002
Smith, Roberta. “A Cornucopia of Cultural Exchange, Beginning With a Martial
Arts Hero,” the New York Times, Nov. 26, 2003, p. E47 (illus.)
Smith, Roberta. “Roland Flexner/Iona Rozeal Brown,” The New York
Times, October 11, 2002, p. E38
Stokes, Lauren. “a3 Impresses on All Sides,” The Maroon Tiger, Feb.
18, 2004,
p.7, (illus.)
Stuart, Catriona. “Geishas Gone Gangsta: Worshipping at the altar of style,”
nyc.indymedia.org, October 7, 2004.
The Studio Museum in Harlem, Events Calendar, Fall 2003 (illus)
Van Gelder, Lawrence. “Art and the Martial Arts,” Art Briefing, The
New York
Times, p. E2, Oct. 14, 2003 (illus.)
Worman, Alex. “L.A. Confidential,” ARTNET, February 15, 2003
Zita, Carmen. “Biters of Style,” Trace Magazine, Issue #43, pp.36-37
CATALOGUES
“
iona rozeal brown, a3 black on both sides,” Spelman College Museum of Art,
February 2004, (illus.)
“
Blackbelt,” The Studio Museum in Harlem, 2003, pp.30-31, (illus.)
“
Americas Remixed,” Comune di Milano, curated by Franklin Sirmans
pp.53-55 (illus.)
“
International Paper: Drawings by Emerging Artists,” UCLA Hammer Museum,
essays by Claudine Ise & Jenelle Porter, foreword by
Ann Philbin, (illus.)
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