ArtNet.com, "Capital Roundup," by Sydney Lawrence, Nov. 29, 2005

The Washington Post, "A Bit of the Ocean...," by Jessica Dawson, Nov. 19, 2005

ArtForum.com, "Linn Meyers at G Fine Art," by Nord Wennerstrom, Nov 5, 2005

Art On Paper, "Linn Meyers, "everything matters," September, 2005

Philadelphia Weekly, "Linn Meyers: everything matters," by Roberta Fallon, June 8 - 14, 2005

ArtCritical.com, "LINN MEYERS: Embracing the Unplanned Imperfect," by Vickey Perry, Jan, 2005

Cape Cod Times, "The Freedom of Staying Inside the Lines", Aug 12, 2004

Artnet.com, "Dotty," by N.F. Karlins, June, 2003

Washington City Paper, "Linn Meyers," by Louis Jacobson, May 16, 2003

Washington Post, "Compulsively Quirky," by Jessica Dawson, May 15, 2003

Pittsburgh Tribune-Review, "Lining Up The Message," byKurt Shaw, March 28, 2003

Art in America, "Linn Meyers at George Billis - New York," by Matthew Guy Nichols, Feb, 2003

Provincetown Magazine, "Portrait of An Artist: Linn Meyers," by Brenner Thomas, July 24 -31, 2003

Pittsburgh Post-Gazette, "Meditative markings," by Mary Thomas, Mar 15, 2003

Pittsburgh Business Times, "Sublime Statements," by Larry Slater, Dec 6-12, 2002

The Philadelphia Inquirer, "Linn Meyers at Gallery Joe," by Edward J. Sozanski, Nov 29, 2002

New York Arts, "Linn Meyers at George Billis Gallery" by Deborah Frizzell, June, 2002

Pittsburgh City Paper, "Religious Instruction," by Sharmila Venkatashban, Nov 7, 2001

Pittsburgh Tribune-Review, "Mattress Factory Opens Doors to Pittsburgh Artists," by Kurt Shaw, Nov 4, 2001

Pittsburgh Post Gazette, "Private Gestures for Public Contemplation", by Mary Thomas, Oct 27, 2001

Washington City Paper, "87,561 Strokes and Other Works," by Louis Jacobson, Sept 21, 2001

Pittsburgh Post Gazette, "Transcendent Works Reach for the 'Aether'," by Mary Thomas, September 1, 2001

Pittsburgh Tribune Review, "No Theme, But Plenty of Content," by Graham Shearing, March 17, 2000

Pittsburgh City Paper, "Not a Theme Park," by Alice Winn, March 10, 2000

Pittsburgh Post Gazette, "Eclectic PCA Show an Engaging Mix," by March 4, 2000

The Washington Post, "Playing with Light," March 2, 2000

Washington City Paper, "Objects in Mirror are Closer than They Appear," by Jessica Dawson, February 25, 2000

New Haven Register, "Inside the Artist's Studio," by Judy Birke, May 23, 1999

The New York Times, "Landscapes of Mind and Nature," by Helen A Harrison, Feb 2, 1997